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The beautiful cover caught my eye. The title made me curious. And this line from the blurb finished me off:

Green Shoots is a story of grief and revenge, a gripping crime thriller with an ecological heart.

I reviewed Green Shoots by Ben Westwood on November 16, 2022. Everything about his book spoke to me and I was amazed at Ben Westwood’s ability to pen such a fabulous debut novel. So….I decided to spotlight the artwork and cover that knocked my socks off.

You can see my 5 STAR review HERE.

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The artwork has always been central to my novel Green Shoots, not least because the ideas for the cover and the mural came before I had even started writing the book.

I’ve always been obsessed with the color green. It’s my favorite color and I’ve always had a lot of green in my house – from the carpet to blankets and clothing. Of course, it’s the color of nature and the environment, and bathing in green light is supposed to be great for the soul. I always find myself drawn to natural surroundings to feel better.

Calling the book Green Shoots did present some problems though – it doesn’t sound like a thriller. It sounds like a nature book or possibly an economics book – “green shoots of recovery” etc. This is why the central image of blood dripping off green shoots is so important and ended up on the cover. With that image, I feel the story is defined – it’s an eco-thriller, which expresses a love of nature under the shadow of violent crimes. The image itself only appears in the book once – in the video that the killer releases globally, which in effect expresses his manifesto.

“Out of their ashes, green shoots will grow” – these words were a sort of mantra and again they came to me before even writing the book. As I was writing the first couple of chapters, I knew that I wanted the killer to leave that message at the crime scenes. But as I was writing, I realized it would be far more interesting to have a visual representation of the words rather than leaving them simply written. That’s how the idea of the mural came about. I liked the idea that the words came from somewhere else, repeated by the killer rather than actually coined by him. When I repeated the sentence to myself, I clearly visualized ashes and death on the left and rebirth on the right. I then pictured a mural with the detail of this image.

It’s described in chapter 3 of the book: “On the left is a scene of scorched earth, blackened tree stumps, skulls and bones, merging into thick forest on the right with toucans, monkeys and indigenous children. The graffiti written in white in the soil below reads: ‘De sus cenizas crecerán brotes verdes’. My Spanish is good enough to know it means: ‘Out of their ashes, green shoots will grow.’ ”

The mural first appears as a photograph in the first crime scene, but appears later in the book as an actual mural in South America. Its appearance is never fully explained and that was deliberate – I have always admired subversive pop-up artists such as Banksy and I had that idea in mind.

When the book was finished, I knew there was still some creative work to do. I wanted someone to actually paint the mural – not on a wall but as a painting. I have no painting talent at all so I found an artist – my friend Anna Walker, who lives local to me in Sussex, England. Over a couple of months she moved from sketches to completing the painting. It now hangs on my wall. It’s big – over a meter wide and dominates by living room.

The words and their accompanying images very much define the book. It is a book about hope coming from despair – both personally for John and for the world at large.

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