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After looking at the cover, I had to have This Morbid Life by Loren Rhoads. I didn’t care what it was about. How about you? Have you ever grabbed a book because of its cover, without checking out anything else about it?
I am sooo excited to have Loren Rhoads visiting today. She is going to share some of her thoughts and an excerpt….are you tempted yet?
1. What’s the most inspiring part of where you live?
I feel blessed to live in the most diverse neighborhood in San Francisco. It’s really great to get my coffee at the Filipino-Hawaiian cafe, pick up a pork bun across the street, and stop off for a Salvadoran pastry on the way home.
2. Where did the idea for This Morbid Life come from?
The incredible artist Lynne Hansen was doing a challenge last October where she created a new book cover every day. One day she made this beautiful collage of an autopsied body with wildflowers and butterflies inside its rib cage. I immediately fell in love with the artwork. I knew I had to put together a book that would do the cover art justice.
3. How long did it take you to write the book?
Almost everything was already written, but it took a while to gather up all the essays, polish them up, and put everything together. I started in January and the book came out in August.
4. Which “character” has etched its way into your heart and why?
A lot of the essays are about my friend Jeff, so I dedicated the book to him. We met the summer after I graduated, when I sublet a room in the house where he lived. We eventually lived together again when my husband and I moved into a lovely old Victorian in San Francisco’s Castro neighborhood and couldn’t afford the rent without a roommate. Jeff and I have known each other for more than 30 years now. I remember when he came out, when he tested positive for HIV, when his first husband died at home of AIDS. I was highly entertained when his second husband got to This Morbid Life before Jeff had a chance to read it. Jeff called to ask if there was anything too scandalous in the book that he should worry about. I had to laugh at that.
5. What are you working on now?
This Morbid Life is the first in a series called No Rest for the Morbid. The second book, Jet Lag & Other Blessings, will be a collection of my morbid travel essays: drinking all the absinthe I could find in Prague, encountering a rattlesnake in the Mojave, chasing alligators in the Louisiana bayou, flying over an active volcano in a helicopter, trying out Japanese love hotels, and basically stalking my morbid curiosity around the globe. That book will have a Lynne Hansen collage for its cover, too.
So many interesting essays. You kept me entertained, at times smiling and maybe even eliciting chuckle or two. I love the cover and find it as fascinating as the stories inside. No Rest For The Mordid sounds just as fascinating. Thanks so much for visiting and sharing your thoughts.
MY REVIEW
#1, Loren Rhoads was born in my hometown of Flint, Michigan. Gotta support another Michigander. #2, I couldn’t resist that cover.
Right out of the gate, I felt a kinship to Loren Rhoads. I was born and raised in Flint, Michigan, and this was like going home. I went to Mott Community College. I know Dort Highway very well, because I worked at the AC Plant, after being laid off from the Chevrolet Plant downtown Flint. I do love a walk down memory lane.
Loren Rhoads found inspiration from her personal experiences…you never know where it will come from. We need to be open to all our experiences.
HOLD ON TIGHT!f These essays are dark and gritty, filled with truth. Loren lays herself bare. This Morbid Life is an apt title for the book and is not for the feint of heart. She lets it all hang out and I loved every minute of it.
I voluntarily reviewed a free copy of This Morbid Life by Loren Rhoads.
GOODREADS BLURB
What others have called an obsession with death is really a desperate romance with life. Guided by curiosity, compassion, and a truly strange sense of humor, this particular morbid life is detailed through a death-positive collection of 45 confessional essays. Along the way, author Loren Rhoads takes prom pictures in a cemetery, spends a couple of days in a cadaver lab, eats bugs, survives the AIDS epidemic, chases ghosts, and publishes a little magazine called Morbid Curiosity.
Originally written for zines from Cyber-Psychos AOD to Zine World and online magazines from Gothic.Net to Scoutie Girl, these emotionally charged essays showcase the morbid curiosity and dark humor that transformed Rhoads into a leading voice of the curious and creepy.
EXCERPT
Burning Desire (an excerpt from the cremation essay)
At the back of the warehouse stood the cremator itself. The Neptune Society used British equipment, which was acclaimed as top of the line. A computer controlled the temperature and length of burning time. The cremator had four doors, two above and two below, so that bodies could be cremated simultaneously and their ashes commingled. Before anyone could ask, Steve assured us that California state law prohibited cremation of more than one body at a time, so that ashes couldn’t get mixed by accident.
The “ovens” themselves were built of fire-resistant brick. A metal rack slid out, onto which the body was placed. Before the operator inserted a body, the cremator would be preheated to 1800 degrees Fahrenheit. As we toured the building, the ambient temperature rapidly became torrid. The ovens were warming. Apparently, at 1800 degrees, the inside of the oven glows red-hot.
Natural gas was used for the heating process. A human body provides its own fuel and will burn on its own at a high-enough temperature, so the cremator was preheated, the body placed inside, and the gas switched off to prevent overheating. Toward the end of the cremation, the gas was turned on again until the bones became calcined and brittle.
Someone asked Steve how they knew when a body was done. He recommended sticking it with a fork. Sobering up, he added that, on average, it took between one and two hours for a cremation at the Neptune Society, with an additional half hour for the oven to cool down enough to remove the cremains. All bodies burned differently, due to their levels of fat or moisture. Both cancer and AIDS deplete the body’s fat reserves, so victims of those diseases had less fuel value. Those bodies required more gas and a higher heat and might take longer to reduce to ash.
The different compositions of people also produced a variety of colors as the body burned. Sometimes the flames turned green or blue, but generally they were orange or red.
When the cremation was complete, human remains were white and very brittle. Any other discoloration implied that the cremation was unfinished. The bones might have shrunk or twisted, but they were still quite recognizable. The cremains were scooped out of the retort with a tool like a hoe. They were placed in a machine with a drum like a clothes dryer that used heavy iron balls to pulverize the remaining bones. The process was complete when the remains fit through a sieve.
I asked if I could see real human ashes. With a shrug, Steve found a beige cardboard box that was maybe five inches on a side. Inside a plastic wrapper, the cremains looked like Quaker Oats and weighed as much as an old-fashioned solid-body telephone. No one else in the tour group was interested in holding the box. In fact, they all took a step back when I held the box out to them.
Continued in This Morbid Life
ABOUT LOREN RHOADS
Loren Rhoads is author of This Morbid Life, a morbid memoir, and Unsafe Words, the first full-length collection of her edgy, award-winning stories.
Loren is also author of 199 Cemeteries to See Before You Die and Wish You Were Here: Adventures in Cemetery Travel.
She’s the co-author of Lost Angels and its sequel Angelus Rose. She’s also author of the space opera In the Wake of the Templars trilogy: The Dangerous Type, Kill By Numbers, and No More Heroes.
Finally, she’s editor of Tales for the Camp Fire, which raised money for survivors of 2018’s devastating wildfire in Butte County, California.
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5 Stars
Since childhood I’ve been an artist and worked as a graphic designer in the corporate world and for newspapers for twenty-three years before I quit to write full time. But I’d already begun writing novels at 21, over forty-four years ago now, and have had twenty-two (ten romantic horror, two horror novels, two romantic SF horror, one romantic suspense, one romantic time travel, one historical romance, two thrillers, and four murder mysteries) previous novels, two novellas and twelve short stories published from Zebra Books, Leisure Books, Avalon Books, The Wild Rose Press, Damnation Books/Eternal Press; and I’ve self-published my last ten novels with Amazon Kindle Direct and my Dinosaur Lake novels and Spookie Town Mysteries (Scraps of Paper, All Things Slip Away and Ghosts Beneath Us) are my best-sellers.
Wicka 
